Wilhelm Loth

Signal anthropomorph, 1960

Bronze Sculpture 200 × 73 × 27 cm

14.000 €

incl. VAT · plus fine art delivery on quotation

With Signal anthropomorph, created in 1960, Wilhelm Loth produced a sculpture that exemplifies his exploration of the human figure. The work focuses on the female torso, reduced to a combination of organic and geometric forms, creating a compelling balance between figuration and abstraction. Rather than depicting the body realistically, Loth transforms it into a symbolic form—an "anthropomorphic signal." This innovative visual language reflects the spirit of post-war art, when abstraction came to represent artistic freedom and new ways of expression. Displayed outdoors, the sculpture gains an additional dimension as its angular forms engage in a dynamic dialogue with the surrounding landscape, highlighting Loth's enduring interest in the relationship between the human body, form, and space.

About the Artist Wilhelm Loth

The female body lies at the centre of the work of Wilhelm Loth (1920–1993). Born in Darmstadt, the sculptor took his early bearings from Wilhelm Lehmbruck and Ernst Barlach and was encouraged by Käthe Kollwitz to devote himself entirely to sculpture; he later attended Toni Stadler's sculpture class at the Städelschule in Frankfurt. From the mid-1960s Loth increasingly set stereometric forms – often cubes – against his figures and torsos, creating a charged confrontation of the soft and the hard. His work as a metal sculptor is counted among the New Figuration. From 1958 to 1986 he taught as professor of sculpture at the State Academy of Fine Arts in Karlsruhe, and in 1964 he took part in documenta III. Since 1995 the Art Prize of the City of Darmstadt has borne his name.

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