Konrad Klapheck
Auf der Lauer (Spannzange), 1979
Radierung auf Japanpapier Edition: 35/60 Print 16.5 × 22 cm
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The etching "Auf der Lauer (Spannzange)" (Lying in Wait / Collet) depicts a precisely drawn mechanical clamping tool that Konrad Klapheck isolates against an empty ground and elevates into an autonomous protagonist. Lever-like handles, and a patterned clamping piece combine into an apparatus that is at once matter-of-fact and mysteriously animated, appearing — true to its title — like a lurking creature. Characteristic of Klapheck is the combination of precisely rendered machines with associative titles that often allude to human behavior. The etching on Japan paper is glued down with a slight crease in the image.
About the Artist Konrad Klapheck
Typewriters, sewing machines, telephones, irons: Konrad Klapheck (1935–2023) turned everyday objects into enigmatic "machine pictures," estranging them and endowing them with human traits. While many of his contemporaries worked abstractly, the Düsseldorf-born artist pursued a precise, representational painting whose style drew on Surrealism, Neorealism and, in part, Pop Art. From 1954 to 1958 he studied at the Düsseldorf Art Academy under Bruno Goller, and later taught there himself. Klapheck is counted among the major figures of the German post-war avant-garde.

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